Root position
F# – A# – C##The root F# is the lowest note. This is the shape most people learn first.
3 notes · 1 · 3 · ♯5
F#aug is built from F#, A# and C## — the formula 1 · 3 · ♯5, or 4 and 8 semitones above F#. The shape uses 1 white and 2 black keys, and you can hear it, invert it and compare it below.
Chord
Notes
F# · A# · DFormula
1 · 3 · ♯5Right hand
1 · 3 · 5Choose a chord, then play it. Finger numbers run from thumb (1) to little finger (5).
The finder above already holds F#aug. Press P or the Play chord button to hear F#, A#, C## sounded together, then change the root or the chord type to compare it with something else.
Chord tones
An augmented triad is two major thirds stacked, so the fifth is raised by a semitone. Every note sits four semitones from the next, which leaves the chord without an obvious home and gives it a suspended, slightly uneasy colour. It is not diatonic to the major scale; it appears on the third degree of the harmonic minor scale and as an altered dominant.
| Note | Interval | Degree | Semitones | Right hand |
|---|---|---|---|---|
| F#black key | Root | 1 | 0 | 1 · thumb |
| A#black key | Major third | 3 | 4 | 3 · middle finger |
| C##white key | Augmented fifth | ♯5 | 8 | 5 · little finger |
Step by step
Inversions
An inversion keeps the same 3 notes and simply moves the lowest one up an octave. Learning them means you can change chords with small hand movements instead of jumping to a new part of the keyboard.
The root F# is the lowest note. This is the shape most people learn first.
A# is the lowest note, so the major third sits in the bass and the notes below it move up an octave.
C## is the lowest note, so the augmented fifth sits in the bass and the notes below it move up an octave.
In context
In E♭ harmonic minor the chord functions as III+. It is the only key listed here that produces this chord from its own scale, which is part of why the chord sounds unusual.
Chord tones are spelled by the degree they occupy, so the third of a minor chord is written as a flat rather than a sharp even though it is the same key on the piano. A double sharp such as F## means the key one whole tone above F.
Compare
F#aug and F# major share F# and A#. Moving the perfect fifth C# up 1 semitone to the augmented fifth C## turns F# major into F#aug.
Practise the pair together: hold the shared notes F#, A# still and move only the one finger. Hearing that single change is the quickest way to recognise the two chords by ear.
Open F# major →Good questions
F#aug contains F#, A# and C##. Counted from the root, that is the formula 1 · 3 · ♯5, or 4 and 8 semitones above F#.
A comfortable beginner fingering is 1 (thumb) on F#, 3 (middle finger) on A# and 5 (little finger) on C##. Finger numbers run from the thumb (1) to the little finger (5), and they change once you start using inversions.
F#aug and F# major share F# and A#. Moving the perfect fifth C# up 1 semitone to the augmented fifth C## turns F# major into F#aug.
It occurs naturally in E♭ harmonic minor (III+). The roman numeral shows which degree of the key the chord is built on.
root position is F# – A# – C##, first inversion is A# – C## – F# and second inversion is C## – F# – A#. Every inversion holds the same notes; only the lowest one changes.
On an equal-tempered piano F# and G♭ are the same key, so the chords sound identical. Written music chooses between them according to the key signature: pages here are named after the sharp spelling of the root, and the chord tones are then spelled by the degree each one occupies, which is why a double sharp occasionally appears.